The Artist’s Way: Week One Reflections

Recovering a Sense of Safety

I am currently in the process of completing Julia Cameron’s 12-week creative recovery program, The Artist’s Way. Each week of the program involves reading a chapter from The Artist’s Way text, completing a handful of tasks, writing daily morning pages, and going on an artist date.

Lessons from the Text

The first week of the program focused on (re)establishing a sense of safety around creating art. According to Cameron, to create without fear, it is important that artists feel encouraged and supported. Artists who harbour negative beliefs about creating may need to take some time to break down and dispel those beliefs.

A key concept Cameron introduced was the “shadow artist”. A shadow artist is someone who possesses artistic talent and drive, but does not consider themself to be a true artist. They “hide in the shadows” with their artistic desires, and may instead befriend established artists or choose careers which parallel their desired arts (Cameron gives examples of journalists who really want to write fiction and movie critics who want to be directors). Many shadow artists don’t think that they’re talented enough to be true artists- but, as Cameron assures, “very often audacity, not talent, makes one person an artist and the other a shadow artist”.

Cameron also discussed core negative beliefs that might be holding shadow artists back from identifying as “true artists”. Examples include believing that one’s artistic ideas are not good enough, that one can never achieve financial stability as an artist, or that becoming an artist would hurt one’s relationships. To counter these negative beliefs, Cameron suggested making use of creative positive affirmations (i.e., “my ideas are good enough”, “artists can be solvent”, “artists can have thriving relationships”).

Reflections

The text this week led me to reflect on my own identity as an artist. To use Julia Cameron’s language, over the years, I have definitely become a “shadow artist”. I still struggle with feeling like a “fraud” when referring to myself as an artist, and I have doubts about my abilities. In order to move forward in my creative recovery, I definitely need to start taking my art more seriously.

Tasks

One of the tasks for this week involved reflecting on my past and listing 3 “old enemies” of my creative self-worth (i.e., people who contributed to my negative core beliefs about being an artist). This task made me realize that I have been quite fortunate- my creative aspirations have always been met with much more support than discouragement. This said, when I traced the roots of one of my beliefs that art should be a hobby rather than something for me to take seriously, I realized I probably inherited the belief from my parents. Although my parents were avid supporters of my creative self-development in childhood, when it came time to consider my future, art was not something that my parents encouraged.

While I have distinctive memories of crafting with my mom and grandmother when I was a child, I also remember a conversation I had with my mom in grade 8 telling me I could never make a living as a graphic designer. Similarly, despite my parents signing me up for art and music classes and theatre camps as a tween, I was also encouraged to drop a creative writing elective in the twelfth grade to make room for a physics class. The message was clear: art was supposed to be something fun, not something to take seriously.

Another task this week involved a thought exercise- “what would you do if you had 5 other lives to lead?”. For this exercise, I chose paths that sounded fun, but that didn’t seem practical (anymore) based on my current life trajectory:

• A theatre actress
• A barista
• A marine biologist
• A teacher, and,
• An influencer.

The second part of the task asked me to choose one of the paths and “do” some aspect of it. I decided to try my hand at being a barista by making an iced pumpkin spiced latte (can you tell I’m already ready for fall?). I roughly followed this recipe (3 tbsp pumpkin pie filling, 1/2 tsp pumpkin pie spice and 1 cup of oat milk blended together and poured over ice with an espresso shot)- it was delicious!

Morning Pages

I’m proud to say that I completed my morning pages every day this week. I’m finding them fairly easy to do- I’m never at a loss for internal dialogue to write down. I think I’m already starting to see the value in writing morning pages- I understand how the exercise is meant to teach artists to go through the motions of creating every day (even if they don’t feel up to it) and, importantly, without judging a product as it’s taking shape. I’m hoping to internalize this process and utilize it when I try my hand at writing fiction again in the future.

Artist Date

For an hour while I walked alone through the Gallery grounds, I turned my phone on airplane mode and listened to the sounds of cicadas and birds in the surrounding forest.

I spent some time with each statue in the collection, but one in particular that stood out to me was Sun Gown (2010). It made me reflect on the interplay throughout the exhibit between art and nature. Sun Gown depicted a woman sitting and stretching; her face incidentally turned toward the setting sun. Beams of light streamed down through the foliage overhead and fell on her body. She was literally being gowned by the sun’s rays. I imagined I must have been seeing the sculpture exactly the way Eyre had intended.

After walking through the sculpture garden, I sat down at a picnic table for a few minutes, and inspiration struck to doodle a Queen Anne’s Lace flower I’d found. Even though the sketch is nothing impressive, I’m glad to have it as a souvenir from the date to look back at.

Until next week,

Laura Kate